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Exuberant
and Exotic Art
Exuberant,
exotic, emotive, expressive, are terms used to describe
Art Nouveau jewelry. What is it about Art Nouveau jewelry
that touches the hearts of sophisticates, critical collectors,
or just the average consumer? It is the beauty that is
felt when one views the great works of someone like Renoir,
Servat, or Gauguin. Many pieces of Art Nouveau jewelry
are truly works of art, not merely items of adornment.
Some of the ingredients that make Art Nouveau jewelry
so emotionally beautiful are the use of subtle color and
shading, suggestion of form, delicate turning and mystical
imagery. Appreciation of Art Nouveau takes time. The more
one views them, the more apparent their intrinsic beauty
becomes. They are imaginative pieces, daring and different
from other styles and forms.
The
Art Nouveau movement, although short lived (approximately
1890 through 1910) made a lasting impact on the jewelry
industry which is still felt today. It was a reaction
to the mass produced jewelry that had become so popular
late in the Victorian period. The style of Art Nouveau
jewelry was a radical change from the somberness and adherence
to strict rules which characterized both French and English
jewellery in the 1860's and 1870's. There were few restrictions
in the design of Nouveau jewelry. The most common motifs
incorporated life forms, orchids, lilies, irises, ferns,
snakes, dragonflies, animal and human forms. Life-like
to dream-like simplicity of metal alone to the complexity
of enamel and precious gems. The rebellion against the
strict customs of the Victorian and Edwardian periods
released an incredible out-pouring of creative energy
that not only produced pieces of subtle beauty but also
touched the sublime and the mystical. No longer would
a piece of jewelry be a mere adornment, now it became
a part of one's soul.
Extensive
Use of Enameling
Along
with the creative energy came a mastery of technique in
casting and carving of gold as well as the extensive use
of enameling as never seen before. Probably the single
most important technique used by Art Nouveau designers
was enameling. The type of enameling used most often was
known as Plique a'jour. Plique a'jour is defined as enameling
that is transparent with no backing. The effect most often
achieved by Plique a'jour enameling is likened to that
of stained glass. The technique of applying this type
of enameling was extremely difficult and very popular
because it exemplified the jeweler's skill and artistry.
This effect gave Art Nouveau jewelry a distinctive appearance
much like a three dimensional painting. Other types of
enameling that were also popular were basse-taille and
guilloche enameling, techniques that required engraving
the metal or raising a design, then fusing a thin layer
of transparent enamel over the work. These and the techniques
of Cloisonné' Chamieve' were made popular by Faberge in
Russia around the turn of the century. Many times a craftsman
would combine the use of different methods of enameling
on the same piece.
Authentic
Piece or Reproduction?
Unfortunately,
when something comes along that generates excitement and
interest, so do people who want to take advantage of the
public's lack of knowledge. So how does one differentiate
between an authentic piece of Nouveau jewelry or a reproduction?
Quality is the first thing to consider in determining
the authenticity of a piece of Nouveau jewelry. Quality
should be evident in every part of the piece, from the
smallest detail to the overall design. Enameling is also
extremely important in determining the originality of
a piece. The enameling on a reproduction will generally
be uniform and sharp with little or no shading. The edges
of the piece will appear sharp, showing little or no wear,
and in the case of a pin, the pin and clasp will be in
"mint" condition. Files and polishing marks
which are often an indication of handiwork will not be
evident. The hallmark, indicative of many old pieces,
will appear new and the various settings will appear identical
since they are usually mass produced. Reproductions will
also exhibit pits in the gold due to poor or frequently
repeated castings, detail work will often be neglected,
and much of the design of the piece will not be artistic,
a quality that is intrinsically Art Nouveau.
Determining
the value and overall quality of a piece of Art Nouveau
jewelry is not an easy thing to do. To become skillful
at recognizing an authentic piece of period jewelry requires
a serious effort. Jewelers and collectors alike must take
the time to visit museums and auction houses, places where
this type of jewelry can be seen. There is no substitute
for the experience gained in the hands-on examination
of these pieces.

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